The transient detection and MIDI input can also be utilized to retrigger the LFO, allowing for both more consistent phase control in free run mode, and more complicated rhythmic behavior when tempo synced.Ī few nice GUI touches like state and retrigger “diodes” for the LFO and a bouncing “needle” display for the peak follower give handy visual cues to help you tune things into to your liking.
D16 sigmund vst mac mac#
The syncable LFO modulation on offer in the initial version of the plug in has been expanded as of the latest revision to be potentially swapped for a peak follower or an ADSR envelope, which can triggered via transient detection or MIDI ( NOTE: MIDI retriggering only works on the VST version, so Mac users might not want to use the AU version unless absolutely necessary ). For each section you chose which modulator is affecting it and the amount it is simultaneously affecting the feedback loop delay time ( either linearly or logarithmically ), the filters cutoffs, and the section’s post feedback loop output volume ( labeled as Tremolo ). Two internal global modulation sources are available for this duty, which are shared by the four delay sections. High quality internal processing ensures that it neither gets too muddy or digitally quantized while pitching down, nor breaks into harsh aliasing when pitching up. Like on hardware delays, this will alter the pitch of your repeats with results that can range from subtle “wow and flutter” Space Echo-esque chorusing all the way into wacky cartoon sound effects territory. The distortion is rich and warm with the proper edge of non linear chaos, and the filter resonance can be cranked without devolving into the kind of annoyingly ring-y mess many digital resonant filter become.Īnother area in which the sound quality of Sigmund excels is the tones you get when you tweak the delay times while audio is cycling through it. I am a self admitted uber-snob when in comes to plugs that claim to recapture the magic tone of analog distortion and filtering, and I must say D16’s stellar past work in these areas continues in Sigmund. After passing through the overdrive circuit each line passes through a multimode HP/BP/LP resonant filter, whose setting are also applied to a passive filter within the feedback loop. Once again these features can be set independently for each of the four sections. What really puts Sigmund over the top is that this level of routing madness is combined with beautiful sounding analog modeled overdrive and filtering. This is all well and good but could also be achieved with a few simple delays and slightly advanced knowledge of your DAWS routing capabilities, especially if you have the kind of advanced routing recall functionality Ableton’s Racks or Reason’s Combinator provide.
D16 sigmund vst mac download#
In short: this might not force everyone to download your latest record, but it can definitely turn the simplest riff into the kind of poly rhythmic stereo soundscape that the Edge would trade his beanie for. You not only have parallel, cascading serial, and tapped serial, you all get various combinations of those routings. The four sections are then combined in one of nine different routing options. Each of the four delay sections can also be separately programmed to work in the default stereo, mid/side mode, or summed to mono, with a channel swap option as the cherry on top. The tempo sync has a handy numerator and denominator layout that allows you to easily work in whatever weird time signatures your heart desires without breaking out a calculator or your high school algebra notes. Each of these delays can be independently set in milliseconds (down to two decimal places) or alternately tempo synced. did I say eight? They are all stereo, so make that six-freaking-teen!!! I honestly think that there might be more separate delay lines in one instance of this plug than existed on whole island of Jamaica during the height of Lee “Scratch” Perry and King Tubby’s dub reign. Did I say there are four? Well technically each of the four sections includes a separate pre-delay before the filtered feedback loop delay, so it’s actually more like eight separate delays. Lets start with the meat of the plug in: The delays. In nearly every area Sigmund exceeds expectations.
Four independent delay sections with a wide variety of routing possibilities, multiple internal modulation options, combined with virtual analog distortion and filtering raise it far above the bland utility or slavish hardware recreation found in the majority of the delays plugins on the market. Sigmund is a hardware inspired delay plugin from the classic grove box emulation artisans at D16.
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